Where do you see geometry? Where do you see chaos? These questions might sound abstract and the concepts elusive, but order-out-chaos is a primal artistic motivation. Equally, recent developments in Chaos theory point to macro-chaos being a natural outcome of micro-level geometric change.;Four digital artists use the same industry standard tool, Photoshop 6, used every working day by graphic designers. Deploying pattern tools, actions and behaviours, batch processes and noise filters to create original experimental effects, the initial-sketch-to-finished-work goal of this project exemplifies the theme of evolving order from chaos, or indeed its opposite.;This book, one of a set of four which explores the creation of original Photoshop artwork, is structured in four parts per author: art theory; technical tutorial; pictures and illustrations from sketchbook to finished project; peer review (where the other 3 artists working on the same theme review the work).
